“We have this fall-down-the-rabbit-hole experience together.”
It was just so sudden, rushed, and meaningless. I would hope/assume this doesn't mean the end for Joe Blake. With the efforts they went to for the deaths of Frank and Rockwell. “The fitting room is sort of this sacred, safe place where both actors and designers can look for the characters,” she explains. Joe was horrible, emotionally manipulative, duplicitous, a murderer, and-let's not forget-an actually-believing Nazi. Hawbaker knows she can often look to the actors themselves as collaborators in dressing their characters. The suit is also the summation of several small shifts away from the nostalgia of what we know in our early-1960s sartorial history.” For Joe’s Berlin attire (seen in the sketch to the left and photo above), Hawbaker explains, “I wanted to design a look that, on a visceral level, felt immediately familiar and classic, something that men might catch themselves wishing they could go to a 1962 shop and purchase. Location was also key when it came to dressing leading man Luke Kleintank’s Joe Blake, now in Berlin, the heartland of Nazi control. RELATED: The Man In The High Castle Goes Deeper In Season 2, Explores Alt-Universe I treated it not as a weakness but actually something to draw from.” “My perspective was very similar to the characters embarking on their new paths with worlds unknown. “It just became apparent that in Season 2, our characters and their established world would be obliterated and torn apart,” she says. To do that, the Nazis would’ve had to not made any of the silly mistakes they made about allocation of resources to flawed mili. while the American nuclear bomb project failed to produce a working bomb. To get her bearings on where to begin her work, she looked to the most obvious place-the story. Answer (1 of 3): There’s mention of them dropping at least one nuclear bomb on Washington D.C. Costume sketch for Man in the High Castle.